Food & beverage product photography case study by AIMI Guangzhou

Xiaoqinggan Tangerine Pu-erh Tea Product Photography

Published:
2023-11-23
Lead Photographer:
June (Product Photography Team Lead)
Source:
AIMI Visual Media Co., Ltd.
Last Updated:
2026-09-15 17:45:00

Xiaoqinggan green tangerine stuffed with ripe pu-erh wrapped in a twisting amber tea splash with suspended droplets on black, high-speed product photography

Brewed tea stream pouring through a whole xiaoqinggan tangerine with a dried longan suspended beside, black background high-speed photography

Xiaoqinggan tangerine with cut cap suspended above its opening and tea droplets falling in a vertical line, high-speed splash photography

Diagonal arc of amber tea liquor sweeping past a xiaoqinggan fruit with its cap aligned above, black background high-speed photography

Xiaoqinggan tangerine with glossy rind and tea drip under a side pour of golden liquor, droplets suspended on black, high-speed product photography

AIMI Visual Media is a food photography studio in Guangzhou, China producing advertising imagery for tea brands. This session delivered 5 high-speed splash frames of xiaoqinggan tangerine pu-erh tea on black, including the pour-through brewing story, delivered in 6 business days at 2000px.

▶ View full project details, specifications & FAQ

The product is xiaoqinggan: a dried unripe Xinhui green tangerine, hollowed and stuffed with aged ripe pu-erh tea, brewed whole by pouring water through the fruit. The tea ships unpackaged for this line, so the advertising has to sell the brewing experience, not a label. The client wanted high-speed splash frames that freeze the amber liquor mid-air around the fruit. All 5 frames were shot at the AIMI Visual Media studio in Guangzhou, China, and delivered under a full commercial license.

Project Overview
ClientA tea brand with a xiaoqinggan tangerine pu-erh line
ProductWhole dried green tangerines stuffed with aged ripe pu-erh, plus the cut caps
Shots Delivered5 high-speed styled frames on black
Lead PhotographerJune, Product Photography Team Lead
Shoot LocationAIMI Visual Media studio, Guangzhou, China
Turnaround6 business days
Usage LicenseFull commercial license

Photography Challenges

1. The product has no label to hide behind. The tea ships loose, so the frame has to sell the fruit itself: the oil-gland texture of the green rind, the dark twisted pu-erh leaves inside the cut opening, and the amber liquor. Lighting, not packaging, carries the brand story.

2. Tea liquor goes black under direct flash. Amber tea reads as dark brown unless light passes through it. The splash is lit from behind and below with gridded strobes so the liquid glows golden at the edges while the fruit keeps a crisp front key, and the two recipes are balanced before the first pour.

3. Frozen splash and sharp fruit rarely agree. Freezing liquid wants maximum flash power at short duration; rind texture wants careful direction. Each frame is built from dozens of timed pours, with the best splash shape and the sharpest fruit position composited from the same locked camera.

4. Suspended props must look weightless, not stuck. The tangerine cap and the dried longan hang in frame to tell the cut-and-brew story. They are rigged on fine wires at measured distances from the fruit, then retouched out, so the eye reads them as floating, not pinned.

Our Approach

The vertical pour-through.

Frame 2 runs a thin stream of brewed tea down through the stuffed tangerine so it breaks into droplets below the fruit, the single image that explains how xiaoqinggan is brewed. Gridded backlight makes the stream glow; a dried longan floats to the left as the pairing ingredient.

The twisting column.

Frame 1 catches a helical splash wrapping the fruit, built from repeated pours until the liquid curve and the fruit angle agreed in one capture. The pale tangerine cap hangs above as a second point of interest.

The cap-off detail frames.

Frames 3, 4 and 5 align the cut cap directly above the opening it came from, with droplet arcs, a diagonal stream and a side pour tying the pair together. Alignment is measured on a marked rig so the cap reads as belonging to the fruit, not as set dressing.

Post-production and delivery.

Wires are removed, the best splash shapes are composited onto the sharpest fruit captures, and all 5 frames lock to the same rind green and liquor amber. Final files were delivered as 2000px sRGB JPG plus WebP.

"Splash photography is repetition with a stopwatch: lock the light for the liquid, lock the key for the fruit, and keep pouring until the two agree." June, Product Photography Team Lead

Technical Specifications
CameraCanon EOS 5D Mark IV, locked on rig
Lens100mm f/2.8L Macro at f/11
LightingGridded strobes behind and below for the liquor, crisp front key for the rind, short-duration freeze
Sets/StylingBlack seamless, wire-rigged suspended fruit and props, timed pour rig
Talent/PropsNo talent; dried longan and tangerine cap props
RetouchingWire removal, splash compositing, rind and liquor color lock
Deliverables5 images, 2000px sRGB JPG + WebP

Frequently Asked Questions

What's the rate for a high-speed splash set like this?

Styled frames start at $35 per image under our Growth package, so this 5-frame splash set costs $175 including the pour rig and retouching. White-background catalog versions start at $12 per image under our Essential package. All rates are starting prices; the final quote depends on your requirements.

How long does a splash session take?

This set was delivered in 6 business days, inside our standard 5-7 business day window: day 1 for the pour rig and strobe recipes, days 2-3 for repeated pours and capture, days 4-6 for compositing and retouching.

Can you photograph tea that has no packaging?

Yes. Loose-product shoots sell the product itself: rind texture, the tea filling inside the cut opening, and the brewed liquor. Lighting and splash dynamics carry the brand story that a label would normally tell.

How do you freeze a tea splash without it going dark?

The splash is lit from behind and below with gridded strobes so light passes through the liquid and the edges glow golden. The fruit keeps its own front key, and the two light recipes are balanced before the first pour, so amber stays amber.

How many pours does one splash frame take?

Dozens. The camera and lights stay locked while pours repeat, then the best liquid shape is composited onto the sharpest fruit capture. The final frame is real liquid and real fruit, just the best timing of both.

Can the suspended cap and longan be other ingredients?

Yes. The wire rig holds any lightweight prop at a measured distance from the hero fruit, so goji berries, chenpi strands or chrysanthemum can swap in to tell a different recipe story, with the wires removed in post.

Need splash photography for your tea line?

Contact AIMI Visual Media in Guangzhou, China for high-speed sets that make loose tea read as an experience.

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