Three Magic Hairmaker x AIMI: Hair-Care Photography and Advertising Video

Published:
2021-11-11 10:24:00
Source:
AIMI Photography
Last Updated:
2023-09-27 10:53:18

Hair-care photography lives in an interesting place. The hero is a glass or PET bottle. The contents are a translucent oil, a viscous serum, or a pearlescent emulsion. The promise is sensory — how the product feels, smells, and behaves on hair — but the photograph has to deliver that promise through a sealed bottle. In March 2020, AIMI Visual Media began product and video work with Three Magic Hairmaker, a brand that has built ten years of work into exactly this category.

About the brand

Three Magic Hairmaker (三个魔发师) has focused for over a decade on essential-oil hair care. The brand sources raw materials from a curated set of global suppliers — spanning Europe, Japan, and the Americas — and emphasises material compatibility and adaptability for Asia-Pacific skin and hair types. The product story rests on ingredient quality, which makes the photography brief unusually demanding: the imagery has to communicate raw-material seriousness without resorting to laboratory cliche.

Three Magic Hairmaker essential oil hair care product photography by AIMI Visual Media Guangzhou
Hair-care product photography from the Three Magic Hairmaker program — bottle, label, and contained liquid all working at once.

What is actually hard about photographing a hair-oil bottle

The bottle is a transparent object hosting an opaque object

The viewer has to read the bottle as glass (smooth, faintly reflective, edge-defined) and the contents as liquid with character (viscosity, colour density, internal scatter). Standard product lighting renders one or the other well; rendering both well requires a separate light strategy for the bottle’s outline and the liquid’s interior.

The label is curved, off-axis, and demands legibility

Hair-care labels are dense with regulated text: ingredient lists, claim language, batch and expiry, stylized brand mark. The curve of the bottle pulls some of that text toward the viewer and pushes some away, sometimes within the same image. AIMI shoots curved labels with a slight off-centre placement and a controlled rim light that keeps the active label face above the legibility threshold for retail print and Tmall thumbnails.

Caps and closures matter more than they look

Pumps, droppers, and screw caps tell the consumer how the product is dispensed. Hair-oil photography that crops out the closure misses a real purchase signal. AIMI’s working frame keeps the dispenser fully visible, even at the cost of slightly less negative space at top.

Three derivative shots from the same setup

Beyond the hero, the lighting is left in place to capture three additional frames in the same session:

  1. The decant. A small amount of oil or serum poured into a clear receptacle next to the bottle — the only honest way to show the product’s actual colour and viscosity. Shot when the pour reaches a stable conical thread.
  2. The drop on substrate. A single drop on a hair strand, on glass, or on neutral fabric — communicating texture without staging a model shoot.
  3. The macro of the closure. The dropper bulb, the pump nozzle, the cap thread — for spec pages and for buyers who care about packaging seriousness.

All three derive from one lighting setup and one production day, which is what keeps the cost-per-asset reasonable.

About AIMI Visual Media

AIMI Visual Media is a commercial photography studio in Guangzhou, working across product photography, advertising video production, and visual design and direction. Beauty, personal-care, and ingredient-led category experience covers hair, skincare, fragrance, and OTC adjacent products.

Adjacent beauty and care work: Blue Moon household care and Biostime infant nutrition.

Q&A — liquid and beauty product photography

Can AIMI render different bottle colours (amber, frosted, clear) consistently in one campaign?

Yes, with per-bottle lighting tweaks. Amber glass dims the contents and warms the colour; frosted glass scatters the rim light; clear glass needs the most careful background management. The hero pose stays consistent so the campaign reads as one family.

Do you shoot oils and creams differently from shampoo and conditioner?

Yes. Oils want the deepest light to register internal scatter; creams want a flatter wrap to render emulsion smoothness; shampoos and conditioners (often pearlescent) need a cross-light to make the iridescence visible without overdoing it.

What about beauty regulatory text on the label?

Cosmetic labels in mainland China carry regulated content: ingredient list (INCI), batch and shelf-life information, and CSAR-compliant claims. AIMI ensures the active label face renders cleanly enough that text remains legible at the brand’s required reproduction sizes.

Do you shoot hair-on-model lifestyle frames as well as bottles?

Yes, when the campaign needs them. Hair lifestyle is scheduled separately from product photography because the lighting brief is incompatible — soft, flattering portrait light is the opposite of the controlled, character-revealing light a glass bottle wants.

How do we start?

Email maggie@airmie.com with the SKU range, target channels (Tmall, JD, Douyin, retail), and any reference look. AIMI will respond with a derivative-shot plan that gets multiple assets out of one production.

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Hair, skincare, or beauty range on the shot list?

AIMI runs beauty and personal-care shoots to extract three or four derivative assets per setup — hero, decant, drop, closure macro — rather than charging per shot. Send the SKU range and the channels the imagery has to serve, and the studio will come back with a per-derivative plan and quote.

Plan a beauty shoot   maggie@airmie.com