
Zhongtian Hongji Police Terminal Corporate Film
- Published:
- 2019-09-04
- Director:
- Garbo (Director of Photography)
- Source:
- AIMI Visual Media Co., Ltd.
- Last Updated:
- 2026-09-23 15:15:17
AIMI Visual Media produced a 5 min 07 s corporate film for Zhongtian Hongji, maker of police law-enforcement terminals including alcohol testers. Shot at 1920 × 1080, 25 fps, it moves from a night enforcement scene through a hands-on teardown of the FJ-0905 terminal to a provincial management-system backend. Delivered in 7 business days.
▶ View full project details, specifications & FAQ
Zhongtian Hongji sells to professional procurement: traffic police units and government buyers who read every frame like insiders. The brief asked for a film that proves the FJ-0905 mobile enforcement terminal in context. We proposed a three-stage structure: a night enforcement scene sets the stage, a function-by-function teardown proves the product, and the provincial drunk-driving management system lifts the story from hardware to platform.
| Project Overview | |
|---|---|
| Client | Zhongtian Hongji (police law-enforcement terminals, including alcohol testers) |
| Video | Corporate film: enforcement scene, product teardown, system demo |
| Final Deliverables | 5 min 07 s master, 1920 × 1080 (16:9), 25 fps |
| Director | Garbo, Director of Photography |
| Shoot Location | Enforcement-scene reenactment locations and studio |
| Turnaround | 7 business days (planning and script, shoot, post and review) |
| Usage License | Full commercial license |
Creative Concept
For police equipment, persuasion comes from real scenes and authoritative data. The night-check footage builds trust in how the product is used; the measured 87.8 mg per 100 mL reading, imported electrochemical sensor, Qualcomm processor, and 4-inch HD screen give technical evidence; the Guangdong provincial drunk-driving management system backend then proves the terminal is a node in a network, not an isolated device. Scene, product, system: three stages, each answering the professional buyer’s next question, and every detail survives insider scrutiny.
Production
We lit the night scenes with what the scene already had: cold blue from police lights against warm flashlight beams, with portable fill only to secure faces and hand movements. The terminal’s function frames were produced to 3D standards so screen readouts stay legible on the 4-inch display. The backend section combines real screen capture with interface packaging, keeping the data dashboards clean and professional, while the cut alternates night work with studio passages to balance field texture against technical clarity.
Production Challenges
1. Real enforcement cannot pause for a camera. We staged a scenario reenactment instead: participants wore regulation gear and followed the standard procedure, with professionals vetting every process detail from paperwork to stance. The accuracy holds up when real officers watch the film, which matters because insiders are the primary audience.
2. Alcohol testing is an abstract principle. We broke the product into function frames: sensor, processor, screen, and plate recognition each became its own graphic group, with the 87.8 mg per 100 mL readout lit as proof. The selling points speak through layout language rather than adjectives, which is how technical buyers prefer to read.
3. Live system data is sensitive. The backend screens use demonstration data prepared for the purpose, presented in the system’s real layout so the interface still reads authentically. No actual enforcement information appears, and the compliance approach was aligned with the supervising unit at script stage, before a single frame was shot.
Deliverable Specifications
| Deliverable Specifications | |
|---|---|
| Final Duration | 5 min 07 s |
| Master Resolution | 1920 × 1080 (16:9) |
| Frame Rate | 25 fps |
| Post Production | Editing, color grading, function packaging, 3D motion graphics |
| Grade | Night cold blue alternating with clean studio tone |
Where the Film Lives
The film runs on the company website, at industry exhibitions, in bid-submission scenarios, and in meetings with professional clients, where the model close-ups and system linkage do the heavy lifting. Before publishing on any platform, check the platform’s current policies, since public-security-related content follows stricter channel rules than general corporate material. A shortened cut can be prepared for channel distribution where runtimes are capped.
Your audience includes real procurement officers, and every procedural detail will be examined by people who do this work nightly. Film the profession professionally; that is the whole job. (Garbo) — Garbo, Director of Photography
Frequently Asked Questions
Are the enforcement scenes real footage?
Scenario reenactment. Real duty cannot accommodate a shoot, so we rebuilt the procedure on camera: regulation uniforms, standard actions, professionals checking each step. For police equipment films, accurate reenactment is the baseline, not a bonus.
How do you explain the alcohol tester’s functions?
Frame by frame: the 87.8 mg per 100 mL reading, the imported electrochemical sensor, the Qualcomm processor, the 4-inch HD screen, plate and ID recognition. Each selling point gets its own function group. Technical products are explained with layout language, not adjectives.
Does the FJ-0905 model number need a close-up?
Yes. The model number is the product’s ID card. A close-up of the device label lets professional buyers remember the exact unit, and in bid submissions model identification is a hard requirement.
Is the provincial system footage a security risk?
No. The backend interface keeps the system’s real layout but runs on demonstration data prepared for the film, so no real enforcement information appears. For government-related projects we align compliance with the supervising unit at script stage.
How is a 5 min 07 s police-equipment film structured?
Three stages: the first 30 seconds of night enforcement sets the tone, about three and a half minutes of product teardown form the middle, and the final minute lifts the story to the provincial system. Scene, product, system, in that order.
How is a film like this priced?
Quoted per project, itemized from your brief: scenario reenactment, function packaging, and 3D motion graphics each shift the scope. Send your requirements through our contact page and we will return a concrete proposal.
What is the turnaround?
7 business days from script to delivery, including planning, the shoot, and post-production with review. Projects with heavier reenactment or 3D packaging still follow this schedule unless the brief changes it.
How do you light a night enforcement scene?
Mostly with what is already there: cold blue police lights against warm flashlight beams are natural dramatic sources. Portable fill only secures faces and hand operations. The texture of night enforcement footage comes precisely from imperfect light.
Need a corporate film for your law-enforcement equipment company?
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