
Cha Zi Tang 15th Anniversary Brand Film
- Published:
- 2023-04-15
- Director:
- Garbo (Director of Photography)
- Source:
- AIMI Visual Media Co., Ltd.
- Last Updated:
- 2026-09-23 15:15:17
AIMI Visual Media produced a 2 minute 11 second 15th anniversary image film for Cha Zi Tang, a Taiwanese camellia oil brand. The 1920x1080 landscape master runs at 29.97fps across seaside dusk, kiln fire, weathered walls and a camellia plantation. Delivery took 7 business days.
▶ View full project details, specifications & FAQ
Fifteen years is an abstract number, and the brief refused to hang it on a banner. We proposed a three-part narrative about the weight of time. A silhouetted figure facing a purple-grey sea at dusk looks back over the road traveled. A craftsman working molten material at a kiln stands in for fifteen years of process discipline. And a sunlit camellia plantation in Taiwan, where farmers weed and harvest by hand, returns the brand to its land and its stated mission of reviving locally produced camellia oil.
| Project Overview | |
|---|---|
| Client | Cha Zi Tang (Taiwan camellia oil brand) |
| Video | 15th anniversary brand image film |
| Final Deliverables | One 2 min 11 sec master, 1920x1080 (16:9), 29.97fps |
| Director | Garbo, Director of Photography |
| Shoot Location | Seaside, kiln workshop and camellia plantation, Taiwan |
| Turnaround | 7 business days (script, cross-region shoots, edit) |
| Usage License | Full commercial license |
Creative Concept
An anniversary film is not a product film; its core is the weight of time. The seaside silhouette carries the retrospective mood without a single spoken date. The kiln is a metaphor kept honest by texture, gloved hands and a probing rod, because a non-industry craft scene argues perseverance better than chanting the word craftsmanship. The plantation closes the loop at the source, with the revival mission stated in a caption and an English subtitle reading “locally produced camellia oil,” so international audiences read the category clearly.
Production
The seaside section was shot at dusk, the figure reduced to silhouette against purple-grey and dark-pink sky with the horizon left wide open. At the kiln, furnace light is the key source, its orange-white glow on gloves and work clothes while rusted walls fall to darkness. The old-wall plates use low-saturation natural light, side-lit so peeling texture and cracks read in layers. The plantation runs on low-angle morning and evening light, farmers’ working figures framed against green slopes. The grade holds a somber warmth that balances the dusk expanse with plantation life.
Production Challenges
1. Fifteen years cannot be photographed directly. We let texture carry time: the white heat of the kiln, the peeling skin of an old wall, morning and evening light in the plantation. Each frame speaks duration without a number. Audiences add up fifteen years themselves when the material evidence of time fills the screen.
2. A kiln has no direct line to camellia oil. Metaphor drifts fast, so we photographed the craftsman’s gloved hand and probing rod with documentary realism. Real texture keeps the metaphor human and prevents it from floating into empty imagery. The scene argues process discipline; it never pretends to show the product being made.
3. Local Taiwan terms puzzle outside audiences. Terms like bitter tea oil read unfamiliar to mainland and international viewers, so the film keeps the original wording and adds English subtitles. The line “locally produced camellia oil” tells global audiences exactly what the category is without flattening the brand’s own regional language.
Deliverable Specifications
| Deliverable Specifications | |
|---|---|
| Final Duration | 2 min 11 sec |
| Master Resolution | 1920 x 1080 |
| Frame Rate | 29.97fps |
| Aspect Ratio | 16:9 landscape |
| Grade | Somber warm tone |
| Subtitles | Traditional-Chinese captions with English subtitle line |
| Structure | Seaside retrospect + kiln craft + weathered textures + plantation source |
Where the Film Lives
The film anchors the brand’s website and plays at the anniversary celebration, and it supports channel recruitment and international exchange. Traditional-Chinese, simplified-Chinese and English subtitle versions are all cut from the same master, with layout margins reserved for swaps, and a celebration cut can be timed to the event date. Before paid placement on third-party platforms, check the target platform’s latest content policies.
Anniversaries should not be shouted. One frame of kiln fire, one of an old wall, one of the field; the audience does the arithmetic of fifteen years themselves, and believes it more. – Garbo — Garbo, Director of Photography
Frequently Asked Questions
Is Cha Zi Tang a Taiwanese brand?
The film’s plantation scenes and its mission caption about reviving Taiwan’s locally produced camellia oil identify it as a Taiwanese camellia oil brand. We filmed what the brand’s land and language presented. For detailed brand information, refer to the company’s own official materials.
What does kiln fire have to do with camellia oil?
It is a process metaphor: furnace discipline stands for fifteen years of sticking to craft, and the craftsman’s focused handling of molten material argues the point better than chanting craftsmanship. Anniversary films often use a non-industry craft scene to carry brand spirit.
What does the back-facing figure by the sea mean?
It opens the retrospective. A silhouette gazing at the horizon condenses fifteen years of turns into a single posture of looking back. For an anniversary film, laying the emotional ground matters more than listing milestones, so the first thirty seconds build mood before any information.
Why film an old peeling wall?
It makes accumulated years touchable. Peeling paint, cracks and weathering carry the texture of time, a standard texture plate in anniversary work. Between the kiln’s heat and the plantation’s green, the wall slows the film down and lets the audience feel duration instead of hearing it.
Are bitter tea oil and camellia oil the same thing?
Yes, one category. Bitter tea oil is the Taiwanese name for camellia oil, pressed from tea-oil tree seeds. The film’s English subtitle, “locally produced camellia oil,” names the category for international audiences while the original wording keeps the brand’s regional voice intact.
Does an anniversary film need to show the product?
No. An anniversary film’s core is the brand’s journey and the weight of time; the product leads daily communications instead. Here land, craft and years are the protagonists, and the product stays off center stage. That is the essential difference between an anniversary film and a product film.
Can one shoot deliver traditional, simplified and English subtitles?
Yes, all cut from the same master. The traditional version serves Taiwan and overseas Chinese audiences, the simplified version the mainland market, and the English version international exchange. Subtitle layouts reserve safe margins for language swaps, so versions are planned before the camera rolls.
How is an anniversary image film priced?
Every corporate film is quoted per project. Cross-region filming, multiple scene types and subtitle versions all shift the price, so we itemize the quote from your brief. Share your brief through our contact page and we will send an itemized proposal.
How long does an anniversary film take?
This project delivered in seven business days; plan seven to ten as standard, covering script, cross-region filming and the fine cut. Anniversary projects are back-scheduled from the celebration date, so lock the event day first. Contact our team for rush scheduling and fees.
Were the farmers’ working scenes staged?
They are mostly natural capture: weeding bent at the waist and hand harvesting proceed without direction, while any front-facing close-up requires portrait consent. Real farmers’ hands and real land are the most persuasive images an origin story can show, so the camera waits rather than arranges.
Need an anniversary film for your food or camellia oil brand?
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