AIMI Video Production Services

Keku Animation Amusement Equipment Corporate Film

Published:
2020-09-29
Director:
Garbo (Director of Photography)
Source:
AIMI Visual Media Co., Ltd.
Last Updated:
2026-09-23 15:15:17

AIMI Visual Media produced a four-minute-thirteen-second corporate film for Keku Animation, an amusement equipment manufacturer headquartered in Panyu, Guangzhou’s amusement industry cluster. Shot across the headquarters, offices, factory, and a container terminal, the native 1920x1080 landscape film runs at 25fps and was delivered in seven business days for the website, trade shows, and B2B negotiations.

▶ View full project details, specifications & FAQ

Keku Animation builds amusement and gaming equipment, and its buyers are venue operators and investors who care about two things: supply capacity and operational support. A company film for that audience cannot lean on cartoon charm, so we built it as four layers of proof. Location inside the Panyu industry cluster establishes pedigree, the live operations dashboard proves data-driven management, the factory floor proves capacity, and the container terminal proves delivery. B2B trust is stacked from evidence, layer by layer.

Project Overview
ClientKeku Animation (amusement and gaming equipment manufacturer)
VideoCorporate promotional film, 4 min 13 s
Final DeliverablesOne master, 1920x1080 landscape (16:9), 25fps
DirectorGarbo, Director of Photography
Shoot LocationKeku headquarters, offices, factory workshop, and container terminal, Guangzhou
Turnaround7 business days (script and storyboard, multi-site shoot, edit and grade)
Usage LicenseFull commercial license

Creative Concept

Amusement equipment is a happiness business run on serious money: buyers commit real capital to venues and machines, so the film sells certainty, not fun. We structured it as a four-stage argument. The aerial open over the curved glass headquarters and the industrial park says the company was born inside the Panyu amusement cluster. The operations dashboard, with cancellation and conversion metrics ticking on screen, says management runs on data. Workshop depth shots say capacity is real. The terminal, where a reach stacker works the container yard, closes the loop from manufacturing to delivery.

Production

The aerial block used high-angle coverage to hold the park layout and its landmarks in one geography lesson. For the data section we filmed the real operations dashboard with close-ups of the reporting screens; the interface layout is genuine, while specific figures follow values the client confirmed for public use. In the workshop a central-axis camera position let shelving and aisle perspective lines pull scale into the frame. At the terminal we went low and wide so stacked containers and the reach stacker carry physical force. Safety briefings came first on every industrial site, camera positions stayed clear of work routes, and protective gear stayed on for the full shoot.

Production Challenges

1. Operational data on screen touches commercial confidentiality. We filmed the genuine dashboard interface so the system’s logic reads as real, then set every specific figure to values the client confirmed for external use. The proof of operational competence lives in how the system works, not in the exact numbers a viewer could freeze-frame.

2. Factory and terminal shoots carry real safety constraints. Industrial sites run on their own rules, so each block began with a safety briefing. Camera positions were planned outside the work routes, protective equipment stayed on throughout, and we shot to the rhythm of production rather than asking production to pause for us.

3. Aerials, offices, factory, and dock are four disconnected worlds. We stitched the geography together with a subtitle thread: purpose, model, and planning keywords recur as on-screen text, so each new location arrives as the next link in one argument. The scattered scenes become a logical chain instead of a location montage.

Deliverable Specifications

Deliverable Specifications
Final Duration4 min 13 s
Master Resolution1920 x 1080, landscape 16:9
Frame Rate25fps native
CoverageHeadquarters aerial, operations dashboard, factory workshop, logistics terminal
Post-ProductionEdit, color grade, aerial integration, subtitle design
Delivery7 business days

Where the Film Lives

The film anchors Keku’s corporate website and plays at industry trade shows where buyers first meet the brand. It fronts the company’s B2B platform homepage and runs in client negotiation rooms, where the factory and terminal footage answers supply questions before they are asked. Cartoon elements stay as location footnotes because this cut speaks to operators and investors; consumer-facing content was planned as a separate product-line video. As always, review each platform’s current policy before paid placement.

“Film a joy industry like the serious business it is. Buyers invest real money in venues and machines, so give them certainty of supply and delivery; the romance sits in the location, the reliability sits in the evidence.” (Garbo) — Garbo, Director of Photography

Frequently Asked Questions

What does “cradle of the amusement equipment industry” mean?

It is a location credential. The Panyu district of Guangzhou concentrates amusement equipment manufacturing, content development, and operational support in one cluster. A headquarters inside that cradle means supply chain and talent advantages from day one, which is why the film opens there.

Is the dashboard footage a real system?

The layout is real and the figures are for demonstration. The operations dashboard appears with its genuine interface, while specific numbers follow the values the client confirmed for external use. Operational capability is proven by the system’s logic, not by any single figure on screen.

What do the container terminal shots prove?

Delivery capability. Amusement equipment is bulky freight, and the container yard footage proves a mature chain for long-distance delivery. For clients in other cities, certainty of delivery weighs the same as product quality in the purchase decision.

How is the 4 min 13 s film structured?

Four layers of proof: the location open runs about 40 seconds, data and operations about a minute, factory capacity about a minute and a half, and the delivery close about 40 seconds. Each layer answers one buyer question, and trust is built by answering all of them.

How is a corporate film like this priced?

Multi-location corporate films are quoted per project, itemized from your brief: number of sites, aerial requirements, shooting days, and deliverable versions. Share your outline through our contact page and we will return a tailored proposal.

Are the “high technology, high quality, high service” subtitles just slogans?

They are made concrete by the footage. High technology maps to the data and development imagery, high quality to the workshop and production lines, high service to delivery and operational support. A slogan without matching footage stays a slogan; here every word has a picture under it.

Does filming disrupt factory production?

We work on a zero-interference principle. After the safety briefing we shoot to the production rhythm, with camera positions kept clear of work routes. The workshop’s real running state is exactly what the film needs to show, so staging would have been unnecessary anyway.

Why are there so few cartoon elements in an amusement company film?

Because this film targets B2B buyers. Venue operators and investors purchasing equipment care about supply and delivery, so the cartoon sculpture appears only as an environmental footnote in the location section. Consumer-facing content was planned separately as a product-line video.

How long does a multi-location corporate film take?

This project was delivered in seven business days covering scripting and storyboards, the multi-site shoot, and post-production. Headquarters, factory, and terminal access are planned as one coordinated calendar so the week stays on track.

Need a corporate film for your amusement equipment manufacturing business?

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